The Shark and the Albatross

Included in The Guardian's list of the best nature books of 2015.
The Express's list of the best nature-inspired books of the season.

This is a lovely book, vividly written, giving us a fascinating insight into the world of wildlife photography. It is a must for all those who enjoy insights into the natural world.
Alexander McCall Smith

These evocative stories are from the heart of the keenest observer, a skilled cameraman and a superb naturalist...You have crafted a wonderful companion to your visual records, given a knowledgable and fascinated voice to unseen tales, trials and tribulations and you have told the truth about the process and the predicaments. It's evocative, it made me want to 'go there’. It's ‘behind the scenes’ but not the mechanics, rather the feelings.
Chris Packham

Every now and then a non-fiction read comes along that's an utter joy.
Scotland Outdoors

If you've ever dreamed about being a wildlife photographer, you will love this book. Aitchison takes us on his travels among some of the most wild and charismatic of species - polar bears, wolves on the hunt for elk, and humpback whales, and albatrosses just learning to fly - and shows us via well-told and often poetic stories how he gets his stunning images. This is not a how to book, but a book that celebrates all that Aitchison loves about his work and where it takes him and the animals he watches and captures in film or still photos. He knows full well how endangered many of these species are, and his great hope is that the rest of us, looking at his images, reading his tales will love the animals as he does. That we will be moved. I was. You will be.
Virginia Morell, Author of Animal Wise: How We Know Animals Think and Feel

The Shark and the Albatross is published in hardback in the UK by Profile Books and by Greystone Booksin North America. Follow them on Twitter @ProfileBooks and @greystonebooks for news about this and other books.

The Shark and the Albatross is widely available in bookshops, including Waterstones, and in the UK you can order it from Profile Books here
Publication in North America is scheduled for May 2016.

Its page on Amazon UK is here. It has more than thirty, five-star readers' reviews.
A Kindle/ebook version is also available

John can sign and post copies. Email him here.

Publication in China has also been agreed. More details later.

There is also an audio book here. on Audible, read by the author.


BBC World Service - Outlook

Matthew Bannister talked to John about The Shark and the Albatross.
You can listen to the interview here. The section starts about 11 minutes 30 seconds into the programme.

BBC Scotland - Out for the Weekend

Fiona Stalker and John chatted about the book here.

Insight Radio - Talking Books

While John was recording the audio book for Audible in the RNIB studio in Glasgow, Robert Kirkwood interviewed him for Insight Radio. You can download a podcast here.

Roundhouse Radio, Vancouver, Our City

Kirk LaPointe interviewed John in advance of the North American edition's publication.
You can hear their conversation or download an MP3 copy here.


David Peck interviewed John for his interesting website, Face2Face.
You can hear their conversation or download an MP3 copy here

ABC Radio National, Saturday Extra

Geraldine Doogue, of The Australian Broadcasting Corporation's Radio National Saturday Extra programme, spoke to John about The Shark and the Albatross.
You can hear the interview here

CBC Radio, The Current

Anna Maria Tremonti interviewed John for The Current on CBC Radio.
The interview is here


James Attlee in The Independent said:
'Wildlife cameraman John Aitchison brings a fresh insight to the natural world...Long hours seeing the world through a telephoto lens give his narrative a heightened, almost hallucinatory sharpness: the fur of a swimming polar bear swirls "like cream in black coffee" as the surface of the sea crackles, freezing around it into crystals "as elaborate as ferns or ostrich plumes"...This is nature writing for a technological age, rich with zoom-enabled insights, the gleaming beads of water on the feathers of a migratory bird in the middle of a vast lake as close at hand as the ground beneath our feet.'
You can read the review here.

Stephen Moss reviewed the book for The Daily Mail.
His review is here.

Mike Unwin reviewed the book for BBC Wildlife Magazine.
'Wildlife cameraman John Aitchison is best known for his work on Frozen Planet, Springwatch and other BBC favourites...He is also a fine writer. These travel tales from some of the world’s most far-flung wildernesses will enthral fans of those behind-the-scenes diary outtakes that accompany today’s wildlife blockbuster...Aitchison’s intelligent, evocative prose brings real depth to his stories, and his human subjects – from a tracker in the Yukon to his own grandmother back home – spring as vividly from the page as his polar bears, humpback whales and wandering albatrosses.'
You can read the full review here and see a gallery of photos related to the stories in the book.

In The Express Charlotte Heathcote writes:
'Cameraman John Aitchison has a rare quality in our hurly-burly world: he understands the need for patience. In these absorbing, elegant essays, he relates how being still allows him to see the world uniquely then to capture those images on film for programmes such as the BBC’s Frozen Planet. He has waited in the cold grip of the Svalbard for hungry polar bears, perched on a skyscraper in New York to watch for a peregrine falcon and wandered Yellowstone Park on the trail of wild wolves.'

Susan Swarbrik wrote a piece about John for The Herald.
You can read it here.

Scotland Outdoors said:
'Every now and then a non-fiction read comes along that's an utter joy - in the way it's written, what it reveals about the natural world and about the teller. This evocative book by one of Scotland's pre-eminent wildlife filmmakers is one such. I found myself reading it in the week the most recent BBC series John filmed for, The Hunt, started screening, which made it all the more fascinating. His tales from behind the lens reveal the logistics, time and patience required to bring this footage to our screens. But they also reflect more widely on the complex interplay between humankind and nature. With warmth and passion, he tells the story of his subjects' battles to survive...Rhythm and pattern pulsate through his beautifully crafted prose.'
You can read the whole review here.

In The Literary Review Tom Mustill said:
'These experiences are woven together into a humane and affecting book...surprisingly it is the descriptions of people that are the most moving: the film crews. icebreaker skippers, rangers and eider farmers with him he eats. sleeps, jokes and toils. He observes and characterises these humans are keenly as the animals.'
You can read part of the review here.

Foreword to the North American Edition - by Carl Safina,
author of Eye of the Albatross and Beyond Words: What Animals Think and Feel

'I’m a big-picture guy, and John Aitchison has given us a big-picture book. The shark, the albatross, falcons streaking high overhead, penguins flying down into the icy blue. And more.
Many people behind the camera, frankly, aren’t the best with words; their art is in the seeing and their lens does the talking. And that is usually how it should be. We all talk too much and we can often learn more by quieting down and just watching. Through their lenses, we have acquired our impressions of much of the world. It’s hard to overstate the importance of that.
But Aitchison is unusual because in addition to being a fine cinematographer, he is good with words. He writes gracefully, insightfully, modestly. He is straightforward. He is evocative. Years of seeing detail through the lens has imbued him with the rare skill of painting with words.
Words, especially written words, are completely illusory. To wield them well one has to be a bit of a magician. Yet Aitchison pieces written words together in a way that makes us see and feel. That is the best thing a mere writer can do.
In these pages Aitchison is aware that he is a visitor, and privileged to be where he is, observing what he is seeing. Cinematographers and writers often have opportunities to see what few people can see. Even the best wildlife researchers, tied as they are to their own special species and specific field sites, seldom glimpse as much firsthand as has John Aitchison. His job is to help us see it with him, and he takes the task seriously and he delivers, solidly.
What I most like about Aitchison’s approach is that, implicitly, he views the living world as sacred. He ventures out as though he is stepping into a cathedral of planetary proportions—which indeed he is. “I can think of little worse than coming here to film bears and having to shoot one instead,” he writes, “but it is a possibility we have to face because they are formidable animals.” Two things here: he forebears (no pun intended) twice in the same sentence. Usually, guns change the balance of power between humans and the Living World, but not in Aitchison’s mind; he hates the idea. Second, he calls the bears “formidable,” which in itself is restrained. A polar bear is in fact very dangerous to an unarmed human. The only thing more dangerous—is an armed human.
This book has few pretentions. We are merely treated to a view of the world at a special point in history. Ours is the time when we remain on Earth in the company of the great creatures: wolves, whales, falcons—. We can still look overhead to see scarves of geese flowing along ancient annual migration routes in the skies. Great fishes still swim beneath the sea, and penguins—perhaps the strangest birds in all the world—continue to weave themselves through the sea surface and plunge into swarms of krill.
We have changed the world greatly, and in diminishing the living world we have diminished ourselves. “It is impossible to travel widely,” Aitchison ventures, “without seeing that many wild animals are struggling.”
Yet these are not pages of doom. They reflect the energies with which all life around us strives to stay alive—and beautifully so.'

Marvellous stories, tenderly told! You have to wonder whether John Aitchison is the luckiest man alive, given access through his persistence and empathy to everything this book contains: wolf whiskers covered in frost, the peregrine’s view of the city far below as if the people there were the inhabitants of a distant sea floor, the everlasting grace of the albatross on a storm-thrashed ocean. Here you’ll find a version of the world which is more real, more intense and, sadly, more beautiful than the one most of us are forced to occupy.
Adam Nicolson

In a word, beautiful. John shares the experience of patiently waiting, then the euphoria of capturing the action; capturing the art in nature. I love the storytelling, along with the atmosphere and the eloquence.
Bill Oddie

In clear, luminous prose, John Aitchison takes us by the hand to experience what it is really like to be one of the world’s top wildlife cameramen. Tigers, polar bears, albatrosses, a million snow geese, fur seals….from peregrines on the skyscrapers of New York to the Antarctic, from his home shores of Scotland to Yellowstone’s wolves, this book is a kaleidoscope of brilliant wildlife experiences not to be missed.
Sir John Lister-Kaye

John's approach to showcasing his passion for the natural world has always been one of gentle empathy, from a man who sees beyond the superficial and into the soul of a moment, the essence of a life. This book is a distillation of that empathy and reveals why so many of the stunning images that have graced our screens through his lens have an ephemeral and sensitive quality that is there for all to see in the real world. We are all the richer for sharing his vision.
Simon King

John Aitchison demonstrates in his first book that he is as capable with a pen, as with a video camera. I say “pen” rather than “keyboard” as I have personally witnessed Aitchison scribbling his impressions and drawing sketches in his notepad while out on assignment far from civilization, giving an immediacy to the events he records. Aitchison’s lyrical descriptions of long weeks spent in pursuit of elusive wildlife in some of the most remote locations on earth reveal not only his passionate dedication to his craft, but also his deep affection for his subjects. In Aitchison’s hands, a simple bird feather is able to tell reverential stories about the wanderings, behavior, and biology of the crane from which it fell, and the natural world is beheld anew with a child’s sense of wonder and awe. Through his eyes we gain a sense of the hardships and danger involved in capturing never-before-seen sequences of wildlife behavior, and the extreme commitment of those hardy souls who venture forth to accomplish this labor of love. For fans of “blue chip” nature programs, such as those produced by the BBC Natural History Unit, this book reveals the stories behind some of the most iconic sequences broadcast in recent years, and leaves the reader with a feeling of actually having been there. Aitchison takes us to places most of us will never go and, through the poetry of his prose, allows us an intimate experience with the wild animals that inhabit these far reaches. Given the rapid changes in the Earth’s climate and ecosystems, the scenes that Aitchison describes are ones that not only will most readers never have the opportunity to see, but, in some cases, scenes that perhaps nobody will ever see again. This book is part adventure, part natural history, and part historical record of an Eden rapidly disappearing, but preserved on “film” through the efforts of Aitchison and his colleagues.
Doug Perrine, marine wildlife photographer and writer

This book is a wonderful and transporting read, and shows you how being a keen observer is the most important skill for a wildlife cameraman. John Aitchison’s considerable talents as a wildlife filmmaker may only be surpassed by his amazing ability to observe nature and write about it. If you’ve ever wondered what combination of skills and temperament is needed to pursue this dream job, just pick up this book.
Tim Laman, National Geographic photographer and filmmaker

Part travelog, part behind the scenes memoir and part commentary about the natural world, this book will leave you wanting to watch every film the author has made. The author's ability to project vivid images onto the mind’s eye are as keen as his ability to capture them on film.
Edwin Scholes, Director of Research & Interpretation, Macaulay Library, Cornell Lab of Ornithology

This is a beautiful and profoundly moving book. It is written with sensitivity and humility, whilst remaining clear-eyed and objective about the environmental challenges faced by the species the author encounters. The wildlife scenes described in exquisite detail are incredible. The people the author introduces us to are inspirational. Highly recommended to anyone who cares about our precious remaining wilderness.
Amazon review

Continue reading: The Shark and the Albatross


Autumnwatch: Changing of the Guard - November 2013 | BBC 2

This is a short film made for Autumnwatch about migration. In Britain we are lucky to live where swallows spend the summer and geese spend the winter. Between them these birds travel a large part of the globe. When the wind swings into the north and the swallows leave I love to think of them spending the winter in the company of elephants while the geese have just parted from polar bears in Greenland. These are barnacle geese by the way, rather than white-fronted geese.


Wild Cameramen at Work - 2013 | BBC Scotland

Wild Cameramen at Work, narrated by Sir David Attenborough, featured John, Mark Smith, Doug Allan and Doug Anderson; all Scottish-based wildlife cameramen.
This clip is of a murmuration of starlings coming to roost in a reed bed in Gloucestershire, watched by Bill Oddie.


Hebrides - Islands on the Edge - Clips - July 2013 | BBC2

The series went down very well when it was first shown just in Scotland and has also had a network transmission on BBC2.

Twitter: #BBCHebrides

DVDs and Blu-ray discs of the series are now available here on Amazon for instance.

Continue reading: Hebrides - Islands on the Edge - Clips - July 2013 | BBC2


Tigers - Life Story | BBC 2

This tigress with only one eye lives in Bandhavgarh in central India. She and her family featured in the BBC series Life Story. We followed their lives for a dramatic month during which one of the cubs was killed by another tiger.

Picture courtesy of Theo Webb


Hebrides series - 2011-12 filming | BBC Scotland

The spring was very busy. A huge pod of common dolphins which came close to Skye in May were a great bonus.

Continue reading: Hebrides series - 2011-12 filming | BBC Scotland


Wild Arabia - BBC | November 2011/March 2012

Wild Arabia is a three-part series produced by the BBC Natural History Unit. John filmed in Dubai and Abu Dhabi in the United Arab Emirates and in Jordan.

As well as filming the flocks of flamingoes which winter close to the spectacular skyline of Dubai city, John also helped film camel racing, falconry in the desert and the migratory harriers which hunt songbirds around irrigated areas in Jordan.

Continue reading: Wild Arabia - BBC | November 2011/March 2012


Frozen Planet | BBC 1 and Discovery Channel

Frozen Planet, the BBC's polar sequel to Planet Earth, started transmission towards the end of October 2011. There are seven episodes in total.

John filmed shearwaters and humpbacked whales gathering to feed in the Aleutians, gentoo penguins exploding from waves and being hunted by southern sealions in the Falkland Islands, emperor penguins leaping from the Ross sea in super slow motion then struggling back to their colony, young adelie penguins leaving their colonies on the Antarctic peninsula and learning to swim while leopard seals hunted them through the ice floes, fur seals fighting and giving birth in South Georgia where young wandering albatross were also taking their first flights, polar bears eating berries and wrestling on the coast of Hudson Bay as well as searching for nesting eider ducks and Arctic terns in Svalbard where other Arctic birds, including Brunnich's guillemots, nest on immense seacliffs.

You can see one of the series trailers here.

And a slow motion clip of a sealion hunting gentoo penguins from Programme One here.

Continue reading: Frozen Planet | BBC 1 and Discovery Channel


A View through a Lens - series 3 | BBC Radio 4

BBC Radio 4

You can listen to all five programmes here.

Wildlife cameraman John Aitchison often finds himself in isolated and even dangerous locations across the globe filming wildlife. In this series he reflects on the uniqueness of human experience, the beauty of nature, the fragility of life and the connections which unite society and nature across the globe.

1.Taking the Plunge
On a remote island close to the Antarctic Circle, hungry leopard seals patrol the waters where young Adelie penguins are learning to swim.

2. Funky Chickens
In Kansas, land of the prairies and the ‘wild west’, John discovers some very funky chickens.

3. Patience
John travels to Svalbard to film polar bears hunting for food and reflects on what it means to be patient.

4. Fur Seals
On a very small island in the South Atlantic, amidst the noise and aggression of battling male fur seals, something very beautiful and tender happens.

5. Shearwater Hurricane
John travels to the Aleutian islands to film one of Nature’s greatest feeding spectacles.

Written and presented by wildlife cameraman John Aitchison
Additional sound recordings by Chris Watson and Miles Barton
Produced by Sarah Blunt


Slow motion filming for National Geographic in Brazil | April 2011

This is the island of Fernando de Noronha off the coast of Brazil.

Continue reading: Slow motion filming for National Geographic in Brazil | April 2011


Polar bears wrestling | November 2010

Polar bears wrestling from John Aitchison on Vimeo.

Young polar bears waiting for Hudson Bay to freeze pass the time by wrestling. This looks like play and perhaps it is but it also allows the bears to test each other's strength, saving them from dangerous fights if they should encounter each other later out on the ice.


Polar bears | Seal River Lodge, Canada

A polar bear at sunrise with ice fog rising behind it. Hudson Bay is starting to freeze.

Photo courtesy Sean Crane.
You can see more of Sean's excellent wildlife photographs here.

Continue reading: Polar bears | Seal River Lodge, Canada


A View Through A Lens - series 2 | BBC Radio 4 Autumn 2010

In this radio series wildlife cameraman, John Aitchison, reflects on the uniqueness of human experience, the beauty of nature, the fragility of life and the connections which unite society and nature across the globe.

Photo courtesy Chadden Hunter.

Continue reading: A View Through A Lens - series 2 | BBC Radio 4 Autumn 2010


BAFTA for Yellowstone "Winter" Cinematography | May 2010

The Yellowstone camera team were given the BAFTA Factual Cinematography award in May. John was delighted to be there with Producer Andrew Murray and AP Nathan Budd to accept the award on everyone's behalf.
The series was also nominated for a Cinematography Emmy.


A View Through A Lens - series 1 | BBC Radio 4 2009

One episode ("Wolves") was about trying to film Yellowstone's Druid Peak wolf pack hunting elk in the depths of winter.

All five episodes were broadcast in December 2009 and repeated in 2010.
Produced by Sarah Blunt of the BBC Natural History Unit, Bristol.
BBC series link.



Photo courtesy Charlie Phillips

John is a wildlife filmmaker who works for the independent production company Otter Films Ltd. Otter Films has worked with the BBC, National Geographic, PBS and Discovery Channel on series including The Hunt, Frozen Planet, Life Stories, Life, Big Cat Diary, Springwatch and Yellowstone.

He is the author of The Shark and the Albatross, published recently in the UK by Profile and in North America in May 2016 by Greystone Books

The BBC's Natural World series commissioned Otter Films to produce the Amber Time Machine. It features David Attenborough's quest to discover what amber can tell us about the past. You can watch it here on the BBC Earth YouTube channel.

You can download a list of productions here.

The BBC's Frozen Planet website is here and The Hunt's website is is here


Social Media

Find out more about
The Shark and the Albatross
by liking John's Facebook page ( here.

You can follow John (@johnaitchison1)
on Twitter here.

and on Instagram here.


Latest News...

The Rainforest Canopy I BBC Radio 4

What is it like to spend a month filming the animals of a rainforest in Venezuela, from a platform 25m up a tree? In this programme for the Nature series on BBC Radio 4, John describes the experience of filming a young harpy eagle learning to hunt monkeys and its first surprising encounter with a sloth.
You can listen to it here.

The Hunt - Factual Photography BAFTA

On 24th April 2016 The Hunt's camera team was awarded a BAFTA for Factual Photography.

Royal Geographical Society and Linnean society talks

In March John spoke about making wildlife films to 800 people at the Royal Geographical Society and to a smaller group, the following day, at the Linnean Society of London, where the natural history specimen collection and library of Carl Linneas are held.

The Hunt - BBC1

The BBC's latest blockbuster wildlife series about predators and prey has been proving popular. It comes to BBC America in summer 2016.
John filmed Amur falcons for the introductory programme, sparrowhawks and jays, harpy eagles and a sloth, and pine martens for the forests episode, peregrines for the coastal episode and snow geese for the plains episode.

You can visit the series website here

New Networks for Nature - Nature Matters

In November 2015 John delivered the Prologue at Nature Matters, an inspiring event which draws together artists and scientists interested in the natural world and its preservation. The theme was 'Place and Belonging'. Anyone with an interest in wildlife, conservation and creativity would enormously enjoy these very stimulating annual events.
The next one will take place in Cambridge in September 2016.

There are some details of the 2015 event here and the text of John's prologue to the event is here.

The short film mentioned in the text is this one about finding beauty in nature.

Edinburgh International Book Festival

John took part in the Edinburgh International Book Festival in August.
The webpage for the event is here.

Martha - An Endling's Tale - BBC Radio 4

Martha was the last of her kind. The passenger pigeon was once the most numerous bird in North America and perhaps the world. Martha died in Cincinnati zoo in 1914. One human generation earlier her species had been counted in the billions. In this radio programme, produced by Sarah Blunt with wildlife sound recordings by Chris Watson, John explores how this unthinkable extinction happened and what we can learn from Martha's sad tale.

To lean more about Martha and listen to the programme you can visit the programme's website here.

Hebrides wins a Wildscreen panda

In October 2014 the Hebrides series was awarded the panda for Best Series at Wildscreen, the biennial wildlife film festival held in Bristol. The judges described it as, "a very well crafted series. The filmmakers clear vision brought the landscape, wildlife and people together into a very engaging story."

Hebrides receives award from the Guild of Television Cameramen

In May 2014 the Hebrides series was honoured with an award for excellence in cinematography by the UK's Guild of Television Cameramen.

Tweet of the Day - BBC Radio 4

John presented several Tweet of the Day programmes on Radio 4. You can listen to them here.

Current Projects

Planet Earth II, a new BBC1 series for 2016, and Dynasties: Lions for BBC1 in 2018, as well as filming for a Disney Nature documentary and for Our Planet, a series for Netflix.

Frozen Planet at Jackson Hole Wildlife Film Festival

In September 2013 the camera team for Frozen Planet won the Best Cinematography award at Jackson Hole.

A View Through a Lens

The 3rd series of these programmes about filming wildlife was repeated on BBC Radio 4 in August 2013.
If you missed it you can listen to all five episodes here.

Disney Nature - Bears

John has recently been part of a team filming coastal brown bears in Alaska for a documentary feature for Disney Nature, released first in the USA in April 2014.
The trailer is here.

Wild Cameramen at Work

BBC Scotland's series on wildlife filmmakers born or living in Scotland went out on BBC2 in July and August 2013 as part of the Summer of Wildlife season. Twitter: #Wildcameramen

The series website and clips are here.

Hebrides - Islands of the Edge
Narrated by Ewan McGregor

John spent 240 days filing the topside wildlife for this four part series.
Doug Anderson filmed underwater. Nigel Pope was the exec/series producer and produced prog 1, John produced prog 2, Sue Western edit-produced prog 3, Kate Munro and Amanda Reilly produced prog 4.
Editing by Nick Carline, Martin Elsbury and Alex Broad.
It's a Maramedia production in association with Otter Films and was commissioned by BBC Scotland.
A quarter of Scots watched the first episode.
The series website, with video clips, is here.

The series trailer is on YouTube here.

Ewan McGregor Narrating 'Hebrides - Islands on the Edge'

"It's one of the most beautiful films I have seen".

John directed Ewan's narration for the second programme. It was a real pleasure to see how much skill and intelligence Ewan brought to all the films.

Wild Arabia

Sixty Years in the Wild

John filmed with Sir David Attenborough and Lloyd and Rose Bucks' imprinted greylag geese on Loch Lomond for David's next BBC series, Sixty Years in the Wild. The series was shown in November 2012.

There is a clip here.

Frozen Planet Wins at Wildscreen

At the Wildscreen festival in Bristol on October 18th 2012 Frozen Planet was honoured with Panda awards for sound, best series and cinematography.

Nigel Wilkes of Panasonic UK presented the Cinematography Panda to John, Mark Smith, Doug Anderson and Hugh Miller, on behalf of the many cameramen in the team.

Frozen Planet Wins Emmy for Cinematography

In Los Angeles in September 2012 Frozen Planet 'Ends of the Earth' won the Primetime Creative Emmy for Outstanding Cinematography for a Non-fiction Programme and the Emmys for Non-Fiction Picture Editing and Sound editing. The series also won the Outstanding Non-Fiction Series Emmy. Well done everyone!

Frozen Planet Wins BAFTAs for Cinematography, Editing & Sound

On 13th May 2012 Frozen Planet won Craft BAFTAs for cinematography, editing and sound. John and underwater cameraman Doug Anderson collected the Cinematography BAFTA.
Read more here.

The Winter episode has also won the Royal Television Society award for Cinematography and the series won Best Cinematography at the International Wildlife Film Festival in Missoula as well as several other awards there.

Other News

Otter Films have recently run several wildlife film-making training courses for rangers from the National Trust for Scotland. The Trust has some outstanding properties with world-class wildlife, like St Kilda and Mar Lodge.

John gave an after-dinner speech to more than 600 people at the RSPB Members' Weekend at York University and spoke at the Hampshire & Isle of Wight Wildlife Trust's 50th Anniversary Celebration Event.
Read more here.



You can contact John Aitchison by emailing him here.

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Advice for new camerapeople

Are you trying to get started in wildlife filming?

You can download some advice and suggestions here